I was included in Volume 21 of The New Encyclopedia of Southern Culture (Art & Architecture) in the chapter titled “Paintings and Painters, 1980-2012” (on page 143), published by the University of North Carolina Press and sponsored by the Center for the Study of Southern Culture at the University of Mississippi. I was surprised and honored to be included in such an important and respected reference book on this subject….I must be a true Southerner now!
This book can be purchased through the UNC press at http://www.uncpress.unc.edu or through Amoazon.com. Below is a small pdf of the section I am in.
The MAC believes that there is a rich art tradition in Texas that deserves to be nurtured and encouraged. Nearly twenty years of programming that consistently exhibits both native Texas artists and artists who are transplanted to Texas reflects this mission and desire to understand the region where we choose to live. This fall, The MAC is pleased to feature Southern Methodist Universities’ Meadows School of the Arts graduate and thirty year Texas resident, Lilian Garcia-Roig. Her exhibition, Sight-Specific continues The MAC’s tradition of exhibiting artists that developed their talent in Texas.
Sight-Specific is a selection of recent large-scale works and groupings that depict the dense forest landscapes from Northern Florida and Georgia as well as the Cascades Mountains in Washington State. Many works in the exhibition are from two on-going series: Cumulative Nature and Hyperbolic Nature. Garcia-Roig paints outdoors, a method art historically known as en plein air, a French expression for “in the open air”. However, unlike the 19th Century Impressionist painters who sought to capture a single moment, Garcia-Roig paints over the course of an entire day placing an important emphasis on the performative aspects of on-site painting. The changing of light and passing of time is imperative to documenting a first hand and extended experience of nature. Both series in Sight-Specific represent the first groups of large-scale paintings produced in this manner (rather than over multiple half-day sessions as she had done before) continuing to increase the productive tension Garcia-Roig seeks between the materiality of paint and the optics of representation.
Garcia-Roig considers her current reinvestigations of the traditional plein air methodology as an act of defiance in a virtualized world that often lacks unmediated or meaningful experiences with nature. In Garcia-Roig’s paintings there is an immediate sense of the temporal and sublime, that nature is intoxicatingly near and yet unreachable.
“Water Flows” (WA) 36″ x 48″, 2011
You can see more exhibition views on my web page under “Gallery Views” which is the last row under my “Paintings Series” tab. Below is a very small pdf titled “Hidden Gems III” that gives additional history and information about the McKinney Avenue Contemporary (the MAC) in Dallas:
2013HiddenGemTheMcKinneyAvenueContemporary| Russell Tether Fine Art
“Hambidge Autumn Diptych”, (GA) 48″ x 72″, 2011. private collection NY
DETAIL of top middle of “Autumn Hambidge Diptych”
Conspicuous Nature was a solo show at the Turner Center for the Arts in Valdoasta GA. This large gallery space allowed me to present larger-scale works from four of the main regions I work: FL, GA, WA & NH. For this Nov. 2013 – Jan 2014 show, I made sure to include some of the fall-themed Hambidge works (like the one above) to remind the audience of just how amazing parts of their state are.
“Saturation Points” 48″ x 60″.private collection Dallas
DETAIL of “Saturation Points”
Saturation Points was my eighth solo show at Valley House Gallery in Dallas and the theme of that show was just it you thought it would be….some of my most intensely colored, all-day cumulative paintings from various fall periods, created mostly during my Hambidge residency and from my MacDowell Colony residency in NH (that I was finally willing to part with).
“Autumn Haiku” (GA) 30″ x 30″ , 2011
Below are small pdfs links of two local views:
“White Waters” (WA) 24″ x 30″, 2011. Private Collection, Dallas
Valley House Gallery did not want to miss the Texas art fair action so they exhibited at The Dallas Art Fair, Contemporary Art Dealers of Dallas (CADD) Fair and the Houston Art fair where I was one of their featured artists.
People in South Florida were getting more chances to see my work and they seemed to like what they saw.
“Cumualative Nature: Juniper & Palm Brush” 48″ x 36″. Private collection Miami.
“Cumulative Nature: Palm & Oak canopy” (FL) 48″ x 36″, 2012. In private collection Miami
In 2013 Cernuda Arte, a gallery in Coral Gables that specializes in Cuban art, began representing my work and they have featured my paintings in various group shows and art fairs such as the LA Art Show, Art Chicago, Dallas Art Fair, Houston Art Fair, Art Wynwood and Art Miami. I am scheduled to have a solo show titled “In the Thick of It: Lilian Garcia-Roig-A Decade of Painting in Florida” in February 2015 and that show will have an accompanying catalog and essay by Carol Damian , Director & Curator of the Frost Museum in Miami.
DETAIL of top right section of “Cumulative Nature: Palm & Oak Canopy”
More information on the gallery can be found on the small pdf below and on their website: cernudaarte.com
Cernuda Arte copy 2
I am very excited to let you know that my work has been selected for inclusion in the 5th edition of “Lauching the Imagination”…( I was extra excited to learn that my painting “Rock Flows” was select for the cover too! ) I am not alone in thinking this is one of the best studio arts foundation books out there given it is the most widely adopted foundations text in the country!…and there is even a Chinese translation/version now.
You can purchase the book through amazon.com, alibris.com or barnesandnoble.com CONGRATULATIONS to Mary for such an impressive accomplishment!